HEY, I'M A BRAZILIAN ART DIRECTOR AND GRAPHIC DESIGNER, CURRENTLY LEADING THE DESIGN TEAM AT THE EST.31 STUDIO. I'M ALL ABOUT EXPLORING THE LIMITS BETWEEN VISUALS AND LANGUAGE, AND I FIND THE CREATIVE PROCESS ENDLESSLY FASCINATING, FROM THE FIRST SPARK OF AN IDEA TO THE FINAL REFINEMENT THAT BRINGS A CONCEPT TO LIFE.
SINCE 2015, I'VE BEEN CRAFTING VISUAL STORIES THROUGH DESIGN, ILLUSTRATION, AND TYPOGRAPHY, ALWAYS LOOKING FOR NEW WAYS TO SHAPE MEANING AND BUILD AESTHETICS THAT FEEL BOTH PURPOSEFUL AND EMOTIONAL. OVER THE YEARS, I'VE HAD THE CHANCE TO COLLABORATE WITH INCREDIBLE BRANDS LIKE BUDWEISER, HEINZ, ITAÚ, UNILEVER, KROGER, FENTY, AND MANY OTHERS, WORKING ON PROJECTS THAT RANGE FROM BRANDING AND CAMPAIGNS TO EXPERIMENTAL VISUAL RESEARCH.
SOME OF THESE EXPERIENCES HAVE ALSO LED TO RECOGNITION AT FESTIVALS SUCH AS CANNES LIONS, THE WEBBY AWARDS, AND EL OJO, WHICH HAS BEEN BOTH HUMBLING AND A MOTIVATION TO KEEP EVOLVING.
AS MUCH AS I LOVE THE CRAFT, I'M JUST AS PASSIONATE ABOUT THE CONVERSATIONS THAT HAPPEN AROUND IT.
I'M ALWAYS UP FOR A GOOD CHAT, WHETHER IT'S ABOUT DESIGN, CREATIVE CULTURE, NEW IDEAS, EMERGING TECHNOLOGIES, OR EVEN THE LATEST CONSPIRACY THEORIES THAT MAKE ABSOLUTELY NO SENSE BUT ARE STILL FUN TO UNPACK. IF YOU'RE CURIOUS,
LET'S CONNECT. I'M ALWAYS OPEN TO NEW COLLABORATIONS, NEW PERSPECTIVES, AND NEW WAYS OF SEEING THE WORLD.
SINCE 2015, I'VE BEEN CRAFTING VISUAL STORIES THROUGH DESIGN, ILLUSTRATION, AND TYPOGRAPHY, ALWAYS LOOKING FOR NEW WAYS TO SHAPE MEANING AND BUILD AESTHETICS THAT FEEL BOTH PURPOSEFUL AND EMOTIONAL. OVER THE YEARS, I'VE HAD THE CHANCE TO COLLABORATE WITH INCREDIBLE BRANDS LIKE BUDWEISER, HEINZ, ITAÚ, UNILEVER, KROGER, FENTY, AND MANY OTHERS, WORKING ON PROJECTS THAT RANGE FROM BRANDING AND CAMPAIGNS TO EXPERIMENTAL VISUAL RESEARCH.
SOME OF THESE EXPERIENCES HAVE ALSO LED TO RECOGNITION AT FESTIVALS SUCH AS CANNES LIONS, THE WEBBY AWARDS, AND EL OJO, WHICH HAS BEEN BOTH HUMBLING AND A MOTIVATION TO KEEP EVOLVING.
AS MUCH AS I LOVE THE CRAFT, I'M JUST AS PASSIONATE ABOUT THE CONVERSATIONS THAT HAPPEN AROUND IT.
I'M ALWAYS UP FOR A GOOD CHAT, WHETHER IT'S ABOUT DESIGN, CREATIVE CULTURE, NEW IDEAS, EMERGING TECHNOLOGIES, OR EVEN THE LATEST CONSPIRACY THEORIES THAT MAKE ABSOLUTELY NO SENSE BUT ARE STILL FUN TO UNPACK. IF YOU'RE CURIOUS,
LET'S CONNECT. I'M ALWAYS OPEN TO NEW COLLABORATIONS, NEW PERSPECTIVES, AND NEW WAYS OF SEEING THE WORLD.
EXPERIENCE
REDHOOK SCHOOL | BRAZIL | MENTOR
EST.31 | BRAZIL | HEAD OF DESIGN
CBF | BRAZIL | HEAD OF DESIGN
ADAM&EVEDDB | USA | SENIOR GRAPHIC DESIGNER
DDB NEW YORK | USA | SENIOR GRAPHIC DESIGNER
AFRICA CREATIVE | BRAZIL | SR. GRAPHIC DESIGNER
MULLENLOWE | BRAZIL | ART DIRECTOR
RECOGNITIONS
CANNES LIONS 19' | BRONZE | HEALTH & WELLNESS
CANNES LIONS 19' | BRONZE | SOCIAL & INFLUENCER
CANNES LIONS 19' | SHORTLIST | DESIGN
CANNES LIONS 19' | SHORTLIST | ENTERTAINMENT
EL OJO 19' | GOLD | DESIGN
EL OJO 19' | GOLD | AUDIO & SOUND
EL OJO 19' | SILVER | SPORTS & INFLUENCERS
EL OJO 19' | SILVER | SPORTS & SOCIAL DIVERSITY
EL OJO 19' | BRONZE | SOCIAL MEDIA
EL OJO 19' | SHORTLIST | SOCIAL MEDIA
THE WEBBY AWARDS 20' | PEOPLE'S VOICE WINNER
THE WEBBY AWARDS 20' | PEOPLE'S VOICE WINNER
THE ONE SHOW 20' | SILVER | CREATIVE USE OF DATA
︎ EMAIL
︎ INSTAGRAM
︎ LINKEDIN
REDHOOK SCHOOL | BRAZIL | MENTOR
EST.31 | BRAZIL | HEAD OF DESIGN
CBF | BRAZIL | HEAD OF DESIGN
ADAM&EVEDDB | USA | SENIOR GRAPHIC DESIGNER
DDB NEW YORK | USA | SENIOR GRAPHIC DESIGNER
AFRICA CREATIVE | BRAZIL | SR. GRAPHIC DESIGNER
MULLENLOWE | BRAZIL | ART DIRECTOR
RECOGNITIONS
CANNES LIONS 19' | BRONZE | HEALTH & WELLNESS
CANNES LIONS 19' | BRONZE | SOCIAL & INFLUENCER
CANNES LIONS 19' | SHORTLIST | DESIGN
CANNES LIONS 19' | SHORTLIST | ENTERTAINMENT
EL OJO 19' | GOLD | DESIGN
EL OJO 19' | GOLD | AUDIO & SOUND
EL OJO 19' | SILVER | SPORTS & INFLUENCERS
EL OJO 19' | SILVER | SPORTS & SOCIAL DIVERSITY
EL OJO 19' | BRONZE | SOCIAL MEDIA
EL OJO 19' | SHORTLIST | SOCIAL MEDIA
THE WEBBY AWARDS 20' | PEOPLE'S VOICE WINNER
THE WEBBY AWARDS 20' | PEOPLE'S VOICE WINNER
THE ONE SHOW 20' | SILVER | CREATIVE USE OF DATA
